Worldwide photography archives hidden away in the depths of our earth. Memories long forgotten and sights long not seen. 

By using Flickr, the largest online photography community where photographers and archives post their imagery for everyone to view, we showcase unique images that have almost never been seen before. We want to bring these images into the physical world through this alternative travel guide, where an alternative way of visiting a country is not only more enjoyable but also better for preserving the beautiful qualities of this place.

In this publication we talk about the advent of mass tourism and it's effects on a country. We want to cast a different light on Turkey’s rich history, including its people and their community. Not a view of the country from a tourist’s perspective, but from the residents themselves.

This magazine is an ode to all those who create their own language when existing words fall short. From arpilleras to grime, from zines to digital resistance - this is the place where creation and rebellion meet. Here you’ll find stories of creators and movements that never fit neatly within the box. It’s not about perfection. It’s about urgency. To make a sound before someone tells you not to. To take up space where there isn’t any.

The design team consisted of:
Me, Max Janssen, Roza Disselhorst and Vivienne Wolters.

Saudade is a visual narrative about memory, connection, and the elusive bond with the past. In this short film, we follow a character who is unexpectedly confronted with fragments of an old, cherished friendship. During a walk through the woods, she stumbles upon a seemingly simple piece of textile, a cloth that acts as a gateway to what once was.

The film moves between two worlds: the present, captured in black and white, and the past, which comes to life in color. These contrasts emphasize the emotional distance between then and now, while simultaneously revealing the intensity of memories.

The title Saudade refers to a almost untranslatable Portuguese feeling, a mix of longing, nostalgia, love, and loss. It is precisely this feeling that forms the core of the film. 

“What’s the time?” is probably the first question that comes to mind when you think of a clock. But there’s so much more behind that simple phrase. The clock is a versatile object; it can take a thousand forms and carry a thousand meanings. Think of the original cuckoo clock, charming and mechanical, or the glowing digits on your smartphone, greeting you each morning. Maybe you wear a sleek watch that quietly ticks against your skin, marking your own rhythm of life.

In this magazine, we look beyond the clock’s face. 
We explore time as both experience and expression and look at the way artists, designers, and thinkers have visualized and questioned it. From the surreal, melting clocks of Salvador Dalí, to contemporary installations that turn clocks into more than tools - that stage them into metaphors for memory, movement, and mortality.

This was a group assignment together with:
Jacq Burden, Robin Peeters and Yoek Vork

Researched two fonts designed by Kris Sowersby, Söhne & Signifier.

I created several designs, including a three-layered poster using transparent paper, aswel as this same poster in 3D AR.

Metrocards, because the Söhne font is inspired by the NYC Metroline font.  
And lastly a booklet with full research on both fonts.

This research aims to provide insight into how dialogues contribute to the development of human relationships. By analyzing the meeting scenes of the film A Summer’s Tale (1996) by Eric Rohmer, I investigate how verbal and non-verbal elements make connection, distance and uncertainty visible. The film thus follows a route of transformation, not through physical locations, but through dialogue, emotion and body language.

In films about human relationships, dialogues play a key role in showing emotional development and connection. However, subtle elements such as silences, word choice and body language are often underexposed during a first viewing. 

This research focuses on A Summer’s Tale (1996) by Eric Rohmer, in which relationships do not follow the classic love story, but serve as a psychological portrait of a young man struggling with choices, self-insight and responsibility.
The three women with whom Gaspard has contact, Margot, Solène and Lena, each reflect a different aspect of his inner quest. Their conversations show how human relationships are formed and disrupted by expectation, doubt and timing. The film shows that connection does not lie in grand gestures, but in language: in silences, body language and the space between two sentences.

Poetry film with the poem: Weggaan, Rutger Kopland,
with music by Steve Reich, "Music for 18 Musicians."

This project was made together with Nomi van der Haas.

This book makes you feel the importance of the sense of touch, not only how essential it is for everyone, but how for blind people it provides a bridge to the world around them.

Touch is one of the most important senses, humans, animals and plants all depend on it. It allows us to feel the world around us, detect danger and even convey emotions. From a gentle touch that provides comfort to recognising textures and temperatures – our skin is full of nerve endings that help us to understand our surroundings. 

This book explores this together with braille. For blind people, the sense of touch plays an even more crucial role, their language and way of communicating is based on touch. Because they cannot rely on their sight, they often develop a more refined sense of touch. This is essential for reading braille.

All text in this book has also been written in braille on the pages, so a blind person can also read it.